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Audiovisual Design
WS 2024 Audiovisual Design
WS 2024 Audiovisual Design
  • Audiovisual Design
  • Sessions
    • Session 1
      • Audiovisual Toolchains
      • Processing Basics
    • Session 2:
      • Bitmap Manipulations & Image Effects
      • OSC Connections
    • Session 3
      • Introduction to TouchDesigner
      • Image processing and manipulation
      • Dynamic video processing
    • Session 4 + 5
      • Masking
      • More examples of OSC-Links between TD and SC
      • Streaming bitmap data
      • Projection mapping
    • Session 6
      • 3D Environments
      • Audio analysis
    • Session 7
      • Outlook
      • Collected Assignments / ToDo
    • Session 8 (presentation)
  • Audiovisual Theory
    • Audiovisual Artforms
    • Theories of Audiovisual Perception
    • Artistic Concepts
  • Bibliography
    • Bibliography
    • Links
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  1. Audiovisual Theory

Audiovisual Artforms

PreviousSession 8 (presentation)NextTheories of Audiovisual Perception

Last updated 4 months ago

CtrlK
  • Historic examples
  • Fuge in Rot
  • Composition VIII
  • Symphonie Diagonale
  • Lichtspiel Opus 1
  • An Optical Poem
  • Fantasia
  • Contemporary Examples
  • Small Fish
  • Hyperion
  • What is life?
  • Cycles
  • micro | macro

Historic examples

Fuge in Rot

Paul Klee: Fuge in Rot, 1921

Composition VIII

Wassily Kandinsky: Composition VIII, 1923

Symphonie Diagonale

Lichtspiel Opus 1

An Optical Poem

Fantasia

Contemporary Examples

Small Fish

See also: http://www.see-this-sound.at/works/73.html

Hyperion

Georg Friedrich Haas: Hyperion, 2006

See also: http://www.see-this-sound.at/werke/226/seite/1.html

What is life?

What is Life? (Simon Katan, 2012) https://simonkatan.co.uk/projects/whatislife.html

„What Is Life ? (2012) is a computer visual and synthesised sound composition for live performance. The piece uses a custom visual sequencer called SoundLens which comprises an OpenFrameworks visual interface and an OSC controlled SuperCollider patch. These combine to imply an analogue between a simulated visual focal effect, reminiscent of a camera lens or microscope, and auditory depth of field. Into this world are placed multiple copies of a sound producing mechanical object. Inspired by a coincidental similarity between certain arrangements of these objects and the double helix structure of DNA, the piece takes its title from the name of Erwin Shrodinger’s book in which he develops the concept of a complex molecule with the genetic code for living organisms. Nevertheless, there is a deeper connection between title and piece in that it progresses solely through the copying and mutation of its own material.“

Cycles

„Cycles 720 is an hybrid visual/audio sequencer built using VVVV and Ableton Live with a custom M4L patch. Circle/Line interactions trigger percussion: rhythm and swing are dictated by the size, number of circles, their degree of separation, orientation and elasticity of each collision.”

micro | macro

Video-Link:

See also: https://www.mqw.at/programm/2018/05/wiener-festwochen-2018-ryoji-ikeda-micro-macro

Walther Ruttmann: Lichtspiel Opus I, 1921
Craig Ritchie Allan: Cycles 720 , 2013.
Oskar Fischinger: An Optical Poem, 1938
Viking Eggeling: Symphonie Diagonale, 1925. Original silent, here with music by Olga Neuwirth
Masaki Fujihata, Kiyoshi Furukawa, Wolfgang Münch: Small Fish (1999)
Oskar Fischinger: Fantasia (Disney), 1940
Hiroaki Umeda, Median, 2018
Philip Vermeulen, 10 Meters of Sound, 2014 Description/Website
Peter Kutin, Torso, 2018
Ryochi Ikeda: micro | macro (ZKM 2015, Wiener Festwochen 2018)
Philip Vermeulen, Whether Weather, 2020 Description/Website
Kyle McDonald and Jonas Jongejan, Light Leaks, 2018 Github
Philip Vermeulen, More Moiré³, 2022 Description/Website
Peter Kutin, ROTOЯ [SONIC BODY]
Peter Kutin Website 1
Kutin|Kindlinger Website