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Audiovisual Design
WS 2024 Audiovisual Design
WS 2024 Audiovisual Design
  • Audiovisual Design
  • Sessions
    • Session 1
      • Audiovisual Toolchains
      • Processing Basics
    • Session 2:
      • Bitmap Manipulations & Image Effects
      • OSC Connections
    • Session 3
      • Introduction to TouchDesigner
      • Image processing and manipulation
      • Dynamic video processing
    • Session 4 + 5
      • Masking
      • More examples of OSC-Links between TD and SC
      • Streaming bitmap data
      • Projection mapping
    • Session 6
      • 3D Environments
      • Audio analysis
    • Session 7
      • Outlook
      • Collected Assignments / ToDo
    • Session 8 (presentation)
  • Audiovisual Theory
    • Audiovisual Artforms
    • Theories of Audiovisual Perception
    • Artistic Concepts
  • Bibliography
    • Bibliography
    • Links
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  1. Bibliography

Bibliography

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Last updated 6 months ago

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Abbado, Adriano (2017): Visual Music Masters. Abstract Explorations: History and Contemporary Research. Milano: Skira.

Scoates, Christopher (2019): Brian Eno Visual Music. San Francisco: Chronicle Books.

Daniel, Dieter & Nauman, Sandra (Eds.) (2015): See this Sound Audiovisuology Reader (Vol. 1+2). Köln: Verlag der Buchhandlung Walther König. (New Edition.)

Cox, Geoff; McClean, Alex (2012): Speaking Code: Coding as Aesthetic and Political Expression. Matthew Fuller, Lev Manovich, Noah Wardrip-Fruin (Hgg.), Software Studies, Bd. 4. Cambridge, Massachusetts: The MIT Press.

Montfort, Nick et. al. (2013): 10 Print CHR$(205.5+RND(1)); : GOTO 10. Matthew Fuller, Lev Manovich, Noah Wardrip-Fruin (Hgg.), Software Studies, Bd. 5.Cambridge, Massachusetts: The MIT Press.

Miyazaki, Shintaro (2013): Algorhytmisiert. Eine Medienarchäologie digitaler Signale und (un)erhörter Zeiteffekte. Friedrich Kittel, Wolfgang Ernst (Hgg.), Berliner Programm einer Medienwissenschaft, Bd. 12. Berlin: Kulturverlag Kadmos.

Pearson, Matt (2011): Generative Art. A Practical Guide using Processing. New York: Manning Publications.

Raffaseder, Hannes (2002): Audiodesign. München: Carl Hanser Verlag.

Reas, Casey; McWilliams Chandler (2010): Form+code in design, art, and architecture. New York: Princeton Architectural Press.

Roederer, Juan G. (1995): Physikalische und psychoakustische Grundlagen der Musik. Berlin: Springer-Verlag.

Schneider, Birgit (2008): Programmierte Bilder. Notationssysteme der Weberei aus dem 17. und 18. Jahrhundert. In: Das technische Bild. Kompendium zu einer Stilgeschichte wissenschaftlicher Bilder. Berlin: Akademie Verlag. S. 182-191.

Shiffman, Daniel (2012): The Nature of Code. Selfpublished. Siehe auch: http//:natureofcode.com

Shiffman, Daniel (2015): Learning Processing. A Beginner`s Guide to Programming Images, Animation, and Interaction. Second Edition. Burlington: Elsevier.

Stalder, Felix (2016): Kultur der Digitalität. Berlin: Suhrkamp Verlag.

Prusinkiewicz, Przemyslaw & Lindenmayer, Astrid (1990) The Algorithmic Beauty of Plants. New York: Springer-Verlag. Online unter http://algorithmicbotany.org/papers/#abop


Xenaksi, Iannis (1992). Formalized Music. Thought and Mathematics in Composition. Stuyvesant, NY: Pendragon Press.

Pritchett, James (1993). The Music of John Cage (Music in the Twentieth Century). Cambridge: Cambridge University Press.

Paparrigopoulos, Kostas (2011). Divergences and Convergences Between Xenakis and Cage`s Indeterminism. In: Proceedings of the Xenakis International Symposium. Southbank Centre, London, 1-3 April 2001 –[ www.gold.ac.uk/ccmc/xenakis-international-symposium]( www.gold.ac.uk/ccmc/xenakis-international-symposium)